What did you see this weekend? Was it the dour World War II epic? The raunchy New Orleans sex comedy? Or the movie where Cara Delevingne shoves her head into a telepathic jellyfish’s butt? Truly, with options like this, anyone who complains about the death of cinema has no idea what they’re talking about. Anyways, here’s the box office numbers through Sunday afternoon:
Who would you rather fight, a million spider-sized ape or one ape-sized spider? It’s a question that’s been haunting my mind since, oh, about an hour ago when I started to look up the box office numbers for this past weekend. And while I might not be any closer to solving my riddle, I can at least say this: when it comes to week-old spiders versus brand new primates, the primates are destined to win. Here’s the box office numbers as of Sunday afternoon:
Did any new releases come out this weekend? I honestly can’t remember. Someone mentioned that there was a new Marvel movie in theaters - one featuring some sort of Spider-Person - but that can’t be right. I feel like I would’ve seen that, perhaps promoted on an unprecedented level for any superhero movie? Hmm. Well, anyways, here’s the weekend box office estimates as of Sunday afternoon:
It’s the moment you’ve all been waiting for, Edgar Wright fans: did the filmmaker’s action-packed Baby Driver score big with audiences? Or does this weekend belong to sequels, sequels, and more sequels? This weekend was always going to belong to Despicable Me 3— it’s a big hit with the kiddos, don’t you know— but there’s definitely some room for optimism in how the rest of the weekend Top 10 shook out. Here’s the numbers as of Sunday afternoon:
It’s a pleasant Sunday afternoon in the world, which means it’s time for your weekend box office updates! While this was a disappointing weekend overall for a handful of new releases, there’s good news to be had: after a disappointing $144 million total gross last weekend, the box office bounced back to $187 million total over the past few days. That takes some of the pressure off Wonder Woman to, you know, save the summer blockbuster as we know it. Here’s the totals as of Sunday afternoon:
If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
Since 2003, HBO’s Real Time With Bill Maher has been a divisive source of comedy and political commentary. If you believe the old adage that there’s no such thing as bad publicity, then the last few years have been particularly kind to the series; Maher has come under attack for his comments on an Ann Coulter protest at the University of California at Berkeley or his decision to give alt-right poster child Milo Yiannopoulos the chance to spread his message of intolerance to the masses. And while Maher has survived and even thrived at the center of controversy, his recent use of a racial slur on the show may be the final straw for even his most ardent supporters.
There was a time not so long ago when Memorial Day weekend was a big deal for Hollywood, but this weekend felt more like a bunch of under-performers gathering together and learning very little about life. Call it the anti-Breakfast Club, if you will. This certainly isn’t what Hollywood had in mind for most of the franchises, and while Johnny Depp’s latest pirate movie did OK, OK seems to be the operative word of the summer if you’re not a movie about superheroes or literate villagers. Here’s the weekend gross through Sunday afternoon:
If you’d told me a decade ago that one of my most highly anticipated moments of the summer would be a showdown between Woody Harrelson and a CGI primate, I probably would have politely excused myself, driven to the local video store, rented a VHS copy of Clint Eastwood’s Every Which Way But Loose, and smacked you over the head with the cassette tape. My, how things change. Under the careful eye of director Matt Reeves, the war between primates and mankind is now one of the hottest summer tickets, and the early trailers and teasers for War for the Planet of the Apes promise one of the best big-budget movies of the year.
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